Our goal was to make it easier for blind and sighted people to locate suitable resources for learning and teaching music braille, depending on their personal situation. We have collated the most ...

Downloadable guidance in a zip file (Word and PDF guidance with example files): Guidance for music setters/engravers to make effective use of music notation tools to create ‘born accessible’ music sco ...

There are a number of ways that you may find it useful to discover music teachers who have experience with supporting the access requirements of blind or partially sighted musicians: Use an online ...

Difficulties accessing standard-print music notation can be a barrier for blind and partially sighted musicians, but a range of solutions are available. Physical Scores  If you are looking for a ...

I have begun writing a series of articles titled 'Audio Programming Unseen', focusing on supporting blind and visually impaired people to access audio programming. You can read the first article at ...

MuseScore's online handbooks for both MuseScore 4 and MuseScore 3 include chapters dedicated to accessing the app using a screen-reader, on both PC and Mac. RNIB's Music Advisory Service have also ...

Sibelius Tutorial for Screen Reader Users, a series of tutorials produced by the Assistive Music Technology Lab at Berklee College of Music: https://sibaccess.github.io/

Besides audio interfaces, as already discussed, there is of course a whole range of hardware that can be involved in the production and mixing process. For example: effects units, mixers, controllers ...

For more complex recordings of acoustic and electronic music and audio drama, it’s necessary to use more than two tracks.   Mixing refers to the combining and balancing of many tracks, with the abi ...

Editing most often refers to the process of cutting out unwanted material, and optimising the actual sound by applying simple processing such as compression, equalisation and noise reduction.  This ...